Summary: “Every war has turning points and every person too.”
Fifteen-year-old Daisy is sent from Manhattan to England to visit her aunt and cousins she’s never met: three boys near her age, and their little sister. Her aunt goes away on business soon after Daisy arrives. The next day bombs go off as London is attacked and occupied by an unnamed enemy.
As power fails, and systems fail, the farm becomes more isolated. Despite the war, it’s a kind of Eden, with no adults in charge and no rules, a place where Daisy’s uncanny bond with her cousins grows into something rare and extraordinary. But the war is everywhere, and Daisy and her cousins must lead each other into a world that is unknown in the scariest, most elemental way.
A riveting and astonishing story.
Review: The book itself is pretty good. It's short, it's a quick read, and it's nicely written. It took me a while to get into the style, because at first the fact that she didn't use quotation marks for dialogue drove me nuts -- I couldn't tell when someone was actually saying something, or just thinking it. Although she did a good job giving me context clues, so I could figure it out pretty easily.
It was a little much, to create a story based on a fictional modern-day world war and then add in the telepathy on top of it, but at the same time, I LOVE stories about mind readers. (Except a certain vampire mind reader, but I at least love to hate that story.) So I was on board with that. In fact, I'm a pretty big fan of the whole book.
Except.
Except.
Except for the part where she's in love with her cousin. Because, ick. Like, really really big ick. I mean, was that necessary, Meg Rosoff? Seriously?
So yeah. That's my review in a nutshell. It's a great book, except for the thing with Daisy and her cousin.
Goodreads Shelves: bechdel-test, is-a-movie, is-this-a-kissing-book, pretentious
Rating:
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