Landline by Rainbow Rowell
Maybe that was always beside the point.
Two days before they’re supposed to visit Neal’s family in Omaha for Christmas, Georgie tells Neal that she can’t go. She’s a TV writer, and something’s come up on her show; she has to stay in Los Angeles. She knows that Neal will be upset with her — Neal is always a little upset with Georgie — but she doesn't expect him to pack up the kids and go home without her.
When her husband and the kids leave for the airport, Georgie wonders if she’s finally done it. If she’s ruined everything.
That night, Georgie discovers a way to communicate with Neal in the past. It’s not time travel, not exactly, but she feels like she’s been given an opportunity to fix her marriage before it starts . . .
Is that what she’s supposed to do?
Or would Georgie and Neal be better off if their marriage never happened?
Review: So... The premise of this novel doesn't actually sound that amazing to me. I don't know what it is, but it just doesn't appeal. I read it anyway, though, and have since come to the conclusion that if Rainbow Rowell decided one day to write nothing but the back of cereal boxes, I'd read them.
She's that good.
What is it about her writing? I know she's wildly popular, but that popularity is backed up by a lot of talent.
I enjoyed Landline a lot. Not as much as Attachments, which had the benefit of an intriguing premise, but I didn't want to put it down. I felt for Georgie.
I liked Neal's characterization. I liked learning about him, and I like that he isn't just some faceless Romantic Leading Man.
Goodreads Shelves: addictive, bechdel-test, fluffy, funny, is-this-a-kissing-book, my-kind-of-woman